WESTERN MOVIES
NEVADA SMITH
Steve McQueen takes on the role of young, uneducated,
half-breed Nevada Smith (aka: Max Sand). When Nevada’s parents are tortured,
robbed, and slaughtered by three men (Karl Malden, Martin Landau, Arthur
Kennedy), the scene is set for a truly classic revenge film. Completely
ill-equipped for his quest, Nevada finds a mentor in traveling gunsmith Jonas
Cord (Brian Keith), who takes pity on him.
Thinking him foolish, but determined, Cord teaches Nevada
the skills of a gunslinger, telling him, “Now, you get to where you can do that
with either hand when you’re half-drunk or half-awake or inside a dark room or
off the back of a running horse, you might stand a chance...a small chance.”
Nevada becomes a dogged man-tracker as he learns to read and
write, how to follow clues and sign, and how to use fear to make his quarries
sweat after the killing starts. My favorite line in the film deals directly
with this scene when Jonas Cord explains, “It ain't that easy, kid. Findin'
em's one thing. Killin' em's another.”
Nevada Smith’s character is supposed to be sixteen, which
was a stretch for the 36-year-old Steve McQueen. With blond hair and blue eyes,
he doesn’t look half Kiowa either. Brian Keith is solid as the itinerant
gunsmith, and Karl Malden is suitably menacing as the main villain. Suzanne
Pleshette is underused as the young Cajun Pilar whose limited screen time comes
to a nasty end.
It is, however, the professionalism of the secondary
characters that keeps the film on track—Pat Hingle as a prison trustee, Howard
da Silva as the Louisiana prison camp warden, along with Iron Eyes Cody and
Strother Martin in uncredited bit parts. The not yet WKRP’s blonde bombshell,
Loni Anderson can be spotted sporting a headfull of brunette tresses as a dance
hall girl with a line or two of dialogue.
Suffering from uninspired directing and an episodic nature, Nevada Smith could be cast aside as a
predictable actioneer. However, I found I was able to overlook the film’s
shortcomings for two reasons. First is the relationship between Nevada and
Jonas Cord. It is paternal in nature, giving Nevada back an emotional handhold
he lost with the murder of his parents. Despite his inclinations, Cord takes
naturally to the role of mentor. Brian Keith’s gruff portrayal of Cord has
depth and emotion, showing Cord truly cares what happens to Nevada.
This leads to my second reason for rating the film highly.
Cord’s warnings about the cost of vengeance, and the ability to recover from
tragedy in other ways, can be seen to begin slowly working on Nevada. The life
lessons Cord taught do not fall fallow. Instead, they lead to a deep character
change within Nevada, which plays out in the film’s finale. This multi-layered
examination of vengeance and its effect on the human spirit raise Nevada Smith from mundane to memorable.
The name Nevada Smith was the inspiration for the name
Indiana Jones. The Raiders of the Lost
Ark character was originally named Indiana Smith. George Lucas named him
Indiana after his dog, and Smith after this movie. It was, of course, later
changed to Indiana Jones.
While completely independent of each other, Nevada Smith (1966) can be seen as a prequel to a movie made two
years earlier, The Carpetbaggers
(1964). Based on the sleazy Harold Robbins novel of the same name, The Carpetbaggers starred George Peppard
as Jonas Cord and Alan Ladd (in his final film role) as former western
gunslinger turned actor, Nevada Smith.
TO BUY A DVD OF NEVADA SMITH CLICK HERE
TO BUY A DVD OF NEVADA SMITH CLICK HERE
This was a mediocre movie. If you want a better movie showing the cost of vengeance, try The Bravados with Gregory Peck. Far superior to this.
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