WESTERN NOVELS
SLIPHAMMER
BRIAN GARFIELD
You think
you’re having a bad day? Think about old Frank Stillwell, Tombstone business
owner, sometimes deputy-sheriff, and suspected killer of Morgan Earp. In March
of 1882, Morgan’s brothers have vowed vengeance…er, justice at their own hands.
Foolish,
Frank gathers a few pals together and does his best to ambush Virgil and Wyatt
at a Tucson train station. Get them, before they get you, thinks Frank. Which
is about all the thinking Frank has time for before Wyatt cuts him in half with
a double-barrel shotgun, and the Earps flee to Colorado. A warrant is issued
for the arrest of Wyatt Earp, but immediately put under the Governor’s review.
Once the Chief Executive approves, somebody’s gotta serve the papers.
In
real life, Pima County sheriff Bob Paul was a friend of the Earps, as was the
famed Bat Masterson. Strings were pulled with Colorado Governor Pitkin, and the
matter was dropped.
But
trusty writer Brian Garfield, known best for his suspense novels Death Wish
(1972) and Hopscotch (1975) here picks up the six-shooter where history
left it in the dust. In Sliphammer (1970), Garfield’s version of events
allows a Lt. Governor to okay the
warrants.
You
think you’re having a bad day? Think it couldn’t get any worse than the day
Stillwell had? Consider this—Frank had it better than Arizona deputy lawman
Jeramiah Tree. At least Frank’s death was quick.
Tree,
nicknamed Sliphammer, because of the trick side-iron he carries, is tasked with
traveling to the Earp-friendly town of Gunnison and taking Earp into custody.
What
follows is a sly game of law craft and macho one-upmanship between Earp and
Tree, complicated by Tree’s foolish brother, Rafe, lusty sister-in law,
Caroline, and a town filled with rambunctious miners.
Earp’s
got family complications of his own—whether he admits it or not—with his own
wet-behind-the-ears brother Warren and jaded devil-girlfriend Josie, which
Garfield uses to good effect. Both men struggle with their inner-demons even as
they struggle with each other and the moral consequences of their actions. Garfield
gives us a darker version of Wyatt Earp that most novels of the time, but keeps
him just this side of despicable.
Because
Tree is able to maintain respect for Earp while earning the latter’s admiration
is the central struggle that keeps the story moving. Plenty of action, some
graphic sex scenes, and a tough-as-shoe leather central character make
Sliphammer a top recommendation.
CONTRIBUTOR: RICHARD PROSCH
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